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(Available to rent on Amazon, iTunes, YouTube, and Google Play.
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Zoom into the universe and give a two-bong salute to all beautiful things that go up in smoke. Giger) by wielding unparalleled magic charms - charisma, aura, persistence, creativity - and walking you through storyboards of what would have been the most cosmic shots ever. For shame, uncooperative Hollywood studios! Journey along with this lifelong enfant terrible, playful reality-checker, and most-dynamic-ever talking head, and check out enthusiasm, ambition, and insane chutzpah at their most inspiring, as Jodo assembles a dream cast and crew (including Mick Jagger, Orson Welles, Salvador Dalí, and H.R. In this case, we’re talking about a colossal adaptation of Frank Herbert’s Dune that was never to be, by a guy who never bothered to read Dune in the first place (one of his many inspirational maverick gestures). What better way to contemplate your own impossibly epic stoner idea than to watch Frank Pavich’s documentary about psychoshamanic filmmaker-guru Alejandro Jodorowsky’s failed-but-beautiful decade-long attempt to mount one of his own. Photo: Sony Pictures Classics Jodorowsky’s Dune (2014)
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(Available to stream on Kanopy, Pluto TV, Tubi, Sling TV and to rent on YouTube.
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Oscar gets into inexplicable confrontations, disconnected vignettes that offer us the ultimate realization that … well, that life requires a series of elaborate performances, some sensible and some not, some offering sensual or sentimental delights, while others lead to gnawed-off fingers and the gutter. Oscar (Lavant) fulfills “appointments” by cruising around in a limo and adopting various guises: a beggar a mournful-then-funky accordionist a motion-capture actor with gymnastic fighting skills who can’t handle treadmills and has the sensuality of a snake a grotesquely violent, sushi-loving, couture-craving sewer leprechaun.
LANA DEL REY YOUTUBE POOP FULL
Photo: Pierre Grise Productions Holy Motors (2012)Ī wondrous and frustrating 2012 film from anarchic French provocateur Leos Carax, full of harshly disruptive textures and surreal conceits, and the extraordinary feral physical presence of lead actor Denis Lavant, with the perfect density of did-I-just-see-that moments and obscurity. It’s is an album made by a genius who spent years high, heard special music in his head, and then painstakingly translated it, or as much of it as he could, onto this eternal album. Electric Ladyland isn’t the work of someone dillydallying with psychedelic signifiers, drooling while he futzes around with the crossfaders.
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And Jimi’s vocals have a mystical, lagging quality, as if the words were coming to him in the half-instant before he sang them. The lyrics - even on the epic aquatic love story “1983 … (A Merman I Should Turn to Be)” - have an earthiness, a solidity, to them, free from any of that Professor Picadilly’s tangerine-tart whimsy that sank so many of the era’s songwriters. The sonic effects - all the stereo panning, the way the drums shimmer, that omnipresent wah-wah guitar - are placed with wizardly detail. The genius of Electric Ladyland, though, and the thing that lifts it above all other ’60s psych albums, is in how fully it captures, and then conveys, a stoned worldview. So many of the trippy albums from the psychedelic era sound today like a sort of twee playacting - as if frilling up a song with sound effects and singing about gnomes constituted true trippiness. Electric Ladyland, the Jimi Hendrix Experience (1968)